For a natural conversation
Often the better choice for interviews, customer stories and videos where a genuine response matters more than exact wording.
Video production company in Melbourne, Australia.
An autocue can make presenter-led filming easier, but it is not right for every video. We choose the simplest setup that will support the presenter and keep the filming day moving.

Our usual recommendation
For many straightforward presenter-to-camera shoots, an iPad autocue is all that is needed.
We are more likely to recommend a professional prompter and operator for a long script, several presenters or a filming schedule with little room for repeated takes. We include the additional operator in the quote.
We do not add an autocue simply because somebody is speaking to camera. We look at the message, the presenter, the script and the way the filming day needs to run.
Often the better choice for interviews, customer stories and videos where a genuine response matters more than exact wording.
A compact and efficient setup for many straightforward presenter-led videos with a manageable script.
Worth considering for long or exact scripts, several presenters, demanding schedules or more complex filming.
The equipment is only one part of the decision. A good autocue setup still depends on a script written for speech, a suitable pace and a presenter who has had time to become familiar with the message.
An autocue, also known as a teleprompter, displays the script on glass positioned in front of the camera lens. The presenter can read while continuing to look directly into the camera.
It removes the need to memorise every line and helps maintain approved wording across different takes. It does not automatically make a presentation sound natural. The result still depends on writing the script for speech and how it is delivered.
For interviews and testimonial-style videos, a fully written script can make the speaker sound less like themselves. In these situations, we will often work from questions, themes or key points and shape the clearest responses during editing.
A compact iPad autocue suits many corporate shoots where a presenter needs to speak directly to the viewer. It is incorporated into the camera setup, the script is loaded before filming and the pace is adjusted to suit the presenter.
This works well with one presenter or a small number of presenters, a reasonably concise script and a straightforward camera setup. It keeps the production compact while giving the presenter the confidence of having the complete script available.
If the script is very long, changes repeatedly during the shoot or needs close attention throughout every take, a dedicated operator can be the more efficient choice.
A professional prompter comes with a dedicated operator whose job is to follow the presenter and control the scrolling text. A good operator responds to the delivery, slowing down, pausing and picking up the script as required.

This adds a specialist crew member, equipment and setup requirements, so it affects the production plan and quote. We raise it during pre-production when the additional control will genuinely improve the shoot.
An iPad autocue can usually be incorporated into a regular presenter-led setup, although time is still needed for assembly, script loading and testing. A professional system requires a dedicated operator and may need additional space around the camera.
On set, we test the pace and record a practice take. The presenter can stop and begin a section again when needed. The aim is not to deliver an entire script perfectly in one uninterrupted take. It is to capture a confident performance that can be edited cleanly.
The equipment supports the presenter, but it does not replace a well-written script or rehearsal.
The script should sound like a person speaking, not a document being read aloud. A little preparation makes the filming easier.
Simplify anything that feels awkward to say and use shorter, more natural sentences.
Check names, technical terms and unusual pronunciations before filming.
Finalise the wording wherever possible and provide the script in an editable format.
The presenter does not need to memorise the script, but familiarity improves pace and confidence.
Not necessarily. A natural result depends on writing for speech, using an appropriate scrolling pace and allowing time to practise. If conversational delivery is the priority, we may recommend an interview format instead.
No. An iPad autocue is sufficient for many straightforward presenter-led shoots. A dedicated operator becomes more useful as the script, schedule or number of presenters becomes more demanding.
Small changes are possible, but approving the script beforehand is much more efficient. Repeated changes can slow the shoot and make it harder for the presenter to settle into the delivery.
No. It is more useful to understand the message and practise saying it aloud. Familiarity helps the presenter look and sound confident without trying to remember every word.
Yes. We allow time to load the relevant script and find a suitable pace for each person. For a busy shoot involving several presenters, a professional operator can help keep the day moving.
Tell us what you are filming and whether the wording needs to be delivered exactly. We will recommend the right autocue setup and include it in the production plan.